Fragments extends the material and conceptual language developed through Skin and Sheds into a larger, more spatial format. Like Sheds, the works draw exclusively from Red Moon and Just Flip a Coin, (except Fragment 00). Printed reproductions of these paintings are torn apart, displaced, and stapled onto linen, allowing motifs from the original works to reappear in entirely new constellations.

Unlike the framed Sheds, Fragments remain unframed and hang freely in space. Their larger scale and exposed construction emphasize their physical presence: paper, textile, folds, tears, and staples become as significant as the imagery itself. The works shift between image, object, and installation.

The process becomes an act of recycling and transformation. Existing images, ideas, and narratives are dismantled rather than erased and used as material for something new. Reflecting processes of healing and self-reinvention, Fragmentsallows traces of rupture to remain visible. The freely hanging works become new spatial bodies - carrying their past while refusing to remain defined by it. Dreamlike narratives emerge through fragmented motifs and unsettling scenarios.