Sheds SH extends the material and conceptual language of Sheds into an unframed, spatial form. Created through the same process of tearing, rearranging, and stapling fragments of printed imagery onto linen, the works abandon the protective structure of the double-glass frame.

Suspended freely in space, they shift between image, textile, and sculptural object. Unlike the framed works, Sheds SH can also be touched, making their material ambivalence physically perceptible: cold, smooth paper meets warm, soft linen and hard, sharp metal staples. Their exposed edges, folds, and reverse sides become integral parts of the work.

Without a fixed front or back, the works can be approached from different perspectives. Dark, dreamlike figures and narratives emerge and dissolve as the viewer moves around them. Fragmentation is no longer contained by the frame but becomes a physical and tactile experience extending into the surrounding space.