Corner is a large-scale painting mixed with textile screen print in a woodcut-like aesthetic, combined with acrylic on canvas. A boy stands facing the wall, possibly in uniform - an image that evokes discipline, punishment, and hierarchical control. His posture suggests fear, submission, or learned obedience, while the viewer becomes a silent observer of this tense moment.

Beside him, a slightly open door emits a harsh, almost supernatural light. What lies behind it remains unseen. Suspended objects - a flying vase and a displaced statue of the Virgin Mary, hint at a disturbance beyond the visible scene.

The door becomes the central symbol of the work: a threshold to the unknown, a possible new path or future. Yet the boy remains still, caught between curiosity and hesitation, shaped by indoctrinated fear and a reluctance to risk the unfamiliar. The work raises a quiet but pressing question: what truly lies behind the door; and what prevents us from opening it?