The one-hour sound concept is structured into five main sequences, addressing climate destruction, anthropogenic species extinction, industrialization and turbo-capitalism, religion, and greed and global conflict. Developed in direct relation to the exhibition All I Ever Wanted Was Everything, the composition unfolds as an evolving sonic narrative in which ecological, economic, ideological, and political crises overlap and intensify. Rather than functioning as a conventional soundtrack, the sound becomes an integral layer of the exhibition, translating its themes of excess, instability, destruction, and human ambition into an immersive acoustic experience.

Production© Simon Öggl

Concept© Max Brenner