Flowers (2/2) – Brenner-Havelka-Plessl

Flower 17 | 18x55x4cm | 2024 , Flower 18 | 12x36x4cm | 2024 , Flower 19 | 20x65x4cm | 2024 , Flower 20 | 10x25x4cm | 2024 , Flower 21 | 25x80x4cm | 2024 , Flower 22 | 54x20x4cm | 2024 , Flower 23 | 13x33x4cm | 2024 , Flower 24 | 22x61x4cm | 2024 , Flower 25 | 15x70x4cm | 2024 , Flower 26 | 26x60x4cm | 2024 , Flower 27 | 18x51x4cm | 2024 , Flower 28 | 16x50x4cm | 2024 , Flower 29 | 19x80x4cm | 2024 , Flower 30 | 15x75x4cm | 2024 , Flower 31 | 17x64x4cm | 2024 , Flower 32 | 13x30x4cm | 2024 , Flower 33 | 20x63x4cm | 2024

Works:

Flowers (2/2)

Relief,

|

various formats

|

varnish on wood relief

|

2024

Flowers transforms symbols of military power into objects of desire, exposing how violence is absorbed into everyday visual culture. Presented in the manner of consumer products - displayed with the logic of branding, selection, and personal taste - the bomb forms become commodities rather than threats. Their destructive function recedes behind seductive surfaces, refined aesthetics, and familiar modes of presentation.

Flowers transforms symbols of military power into objects of desire, exposing how violence is absorbed into everyday visual culture. Presented in the manner of consumer products - displayed with the logic of branding, selection, and personal taste - the bomb forms become commodities rather than threats. Their destructive function recedes behind seductive surfaces, refined aesthetics, and familiar modes of presentation.

Project:

All I ever wanted was everything

Happening:

All I ever wanted was everything

Happening:

All I ever wanted was everything

Work:

Flowers (2/2)

Relief,

Work:

Flowers (2/2)

Relief,

Work:

Flowers (2/2)

Works:

Relief,

Relief,

|

various formats

various formats

|

|

varnish on wood relief

varnish on wood relief

|

|

2024

2024

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RABENHASEPERLELVLNSK