Flowers (2/2) – Brenner-Havelka-Plessl

Flower 17, 18x55x4cm, 2024 | Flower 18, 12x36x4cm, 2024 | Flower 19, 20x65x4cm, 2024 | Flower 20, 10x25x4cm, 2024 | Flower 21, 25x80x4cm, 2024 | Flower 22, 54x20x4cm, 2024 | Flower 23, 13x33x4cm, 2024 | Flower 24, 22x61x4cm, 2024 | Flower 25, 15x70x4cm, 2024 | Flower 26, 26x60x4cm, 2024 | Flower 27, 18x51x4cm, 2024 | Flower 28, 16x50x4cm, 2024 | Flower 29, 19x80x4cm, 2024 | Flower 30, 15x75x4cm, 2024 | Flower 31, 17x64x4cm, 2024 | Flower 32, 13x30x4cm, 2024 | Flower 33, 20x63x4cm, 2024

Works:

Flowers (2/2)

Relief,

|

various formats

|

varnish on wood relief

|

2024

Flowers transforms symbols of military power into objects of desire, exposing how violence is absorbed into everyday visual culture. Presented in the manner of consumer products - displayed with the logic of branding, selection, and personal taste - the bomb forms become commodities rather than threats. Their destructive function recedes behind seductive surfaces, refined aesthetics, and familiar modes of presentation. (Flowers 1/2)

Flowers transforms symbols of military power into objects of desire, exposing how violence is absorbed into everyday visual culture. Presented in the manner of consumer products - displayed with the logic of branding, selection, and personal taste - the bomb forms become commodities rather than threats. Their destructive function recedes behind seductive surfaces, refined aesthetics, and familiar modes of presentation. (Flowers 1/2)

Project:

All I ever wanted was everything

Happening:

All I ever wanted was everything

Happening:

All I ever wanted was everything

Work:

Flowers (2/2)

Relief,

Work:

Flowers (2/2)

Relief,

Work:

<- Previous Work

Flowers (2/2)

Works:

Relief,

Relief,

|

various formats

various formats

|

|

varnish on wood relief

varnish on wood relief

|

|

2024

2024

WASWIRHABENBLEIBTNIE

WASWIRHABENBLEIBTNIE