Déjà Vu is a large-scale wooden relief developed from a fine liner drawing and constructed through multiple layered planes. The work depicts a Western-style hotel or guesthouse—an archetypal space of order, comfort, and familiarity. Yet behind its orderly façade, 21 individual rooms unfold as fragmented narrative units, each staging distinct scenes that subtly allude to excess, hedonism, and forms of social and psychological decadence.

The relief structure emphasizes both spatial depth and conceptual layering, translating the intimacy of drawing into a tactile, architectural object. At the same time, the work evokes the form of a hotel key board, suggesting systems of allocation, control, and transience. Déjà Vu operates as a microcosm in which repetition, routine, and deviation coexist—inviting reflection on constructed normality and the fragile boundaries between order and disintegration.