Visions is a series of paintings derived from intuitively developed, densely layered abstract compositions to which fragmentary narrative elements are later attached. The original image was transferred onto canvas through screen printing and multiplied into three versions, each subsequently reworked through individual painterly interventions. While all works share the same compositional origin, subtle shifts in gesture, color, and detail generate distinct pictorial identities.

Presented side by side as a triptych and diptych, the portraits recall the “vision cards” of the fortune-telling robot in Brenner’s work Fever. Their near-identical structure invites careful comparison, turning the act of viewing into a process of searching and differentiation. In this sense, the series functions like a reverse Rorschach test, where minimal deviations open a field of speculative possibilities.

At the same time, the work engages with a fundamental question of painting: how can an image be reproduced while remaining a singular painting?