The sculpture series Tinnitus reinterprets the flower as a symbol of life, transience, and spirituality through a raw and violent artistic language. Made from recycled styrofoam, the works juxtapose fragility and destruction, as aggressive processes such as hammering, burning, and sawing become acts of creation. Despite their brutal treatment, the flowers retain a distinct beauty, bearing visible traces of their making. The series explores the contradictions between vulnerability and dignity, while raising ecological and aesthetic questions about beauty and value in a world shaped by consumption and destruction.